THE EPSTEIN FILES

Isn’t it always and hasn’t it always been a voice answering a voice?

The voice outside with its multiple morning voices of bluebird and robin and finch, the evening canticles of owls, the polyrhythms of crickets, the drone of the tanpura wind in the tops of distant trees like a dozing surf of an unseen sea at midnight.

The voice inside like a spring rising through layers of rock unstoppable as breath, as the Earth breathing, as the voice breaching the surface and soaking the moss to a greener green, soaking the poem to a deeper grief, a lava rage, an anchor of reckoning around the necks of those with their hands over my mouth, my sister’s mouth, my sister’s children’s mouths, my sister’s grandchildren who never learn to speak whole sentences, just the word “yes” and “yes” and “yes.”

I said “yes,” now I say “no,” now the inside voice begins with “no” and ends with “yes.” Yes to moths drawn to the flame of words. Incinerate me! Transmute me to daylong mayfly poems, my voice a glide of sunrise, a soar of afternoon azure, a shatter of wings at dusk, a gather of full moon drums to start the heart once more.

Photo by Adrian Swancar on Unsplash

Written by 

Katherine West lives in Southwest New Mexico, near Silver City. She has written three collections of poetry: The Bone Train, Scimitar Dreams, and Riddle, as well as one novel, Lion Tamer. Her poetry has appeared in journals such as Writing in a Woman's Voice, Lalitamba, Bombay Gin, New Verse News, Tanka Journal, Splash!, Eucalypt, Writers Resist, Feminine Collective and Southwest Word Fiesta. New Verse News nominated her poem And Then the Sky for a Pushcart Prize in 2019. In addition she has had poetry appear as part of art exhibitions at the Light Art Space gallery in Silver City, New Mexico, the Windsor Museum in Windsor, Colorado, and the Tombaugh Gallery in Las Cruces, New Mexico. She is also an artist.

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