The Shapes I’ve Been

I say I know Minnesota like the back of my hand.
I don’t know the back of my hand.
I wouldn’t recognize it on the street or if it slammed a door.

1

Not like I recognize the lines etched near my eyes,
I saw them emerging at 20 and panicked.

I stared in the mirror and smiled. I watched as the creases deepened with the smile
And saw them fade as I found my mouth in what would one day be known
As resting bitch face.
But with no smile, the lines were barely visible.
My face like flattened origami – I knew the cracks were still there.

2

My hand is nothing special,
But I know the way my body has fluctuated with time.
I know how the curve of my body was sharp
And concave with angles and edges
That slice.

3

My body knows ways the measuring tape has
Wrapped around the soft spots
And my fingertips journaled the numbers religiously
In notebooks as a child and teen, smudging graphite pinky joints across the page
And now has sophisticated into excel spreadsheets. That won’t matter when I die.

I know the numbers from the scale, I know the ones where I feel comfortable in my skin
I know the numbers that are wrong,
I know when I am suffocating in my shape.
I know when I am anchored down like Jacob Marley by pounds instead of chains of guilt.
And I can’t breathe.

4

I saw the white hair when I was 16 at the salon on main street across from the bar called Babe’s.
I wore that hair with pride and swore I’d never color it,
But then 5 years later, as a young bride, it was plucked from my head without my consent.
And I cried, over the loss of my Irish heritage.

At 34 I colored my white hairs, to try something different and wrangle my youth
That was slipping away. Where was my pride of Irishness then?

5

I knew the roads of Minnesota engraved in my brain before I could see out of the window and the windows needed to be rolled down by hand, with a crank.

In my car seat with brown plastic vinyl
That cracked with its age and pinched my skin
While the cotton fill puffed out like cottage cheese.

I didn’t know the names of roads, but I knew the way they felt – the way I shifted in the car and wide-eyed saw the stars at night. I knew the turns, I knew north and south
And the emotions that came with the journey and the experiences I had.

The places I had been mapped my life like an etch-a-sketch across the state, some scribbles darker and stronger than others.

6

And now, tabula rasa.
The caress of the measuring tape is not quite right. The numbers on the scale are tilted too high.
I feel my belly – and underneath the seam, the scar, where the babies came from.
And I am happy. Because I made life.

7

And I know Minnesota because it’s there under my eyelids and under my skin all 40.5 years of it.
But Florida is a small piece of the coast I am becoming acquainted with
I only know two roads or three
And so, it’s a blank slate.
To be filled in reverse.

I know it, like the back of my hand.

 

Photo by Priscilla Du Preez on Unsplash

Nicole Zwolinski

Nicole Zwolinski earned a BA in Creative Writing with a focus in poetry and Mass Communications – Journalism. Zwolinski is always learning and continues to take courses through The Loft Literary Center in Minneapolis and in 2011 attended the Mississippi River Creative Writing Workshop at St. Cloud State University. Zwolinski’s favorite course at The Loft was Writing through Photographs with Brad Zellar. Zwolinski has had a few short short plays performed live. In addition to plays, Zwolinski has had numerous poems selected for live readings. Zwolinski’s work has appeared in Firewords Quarterly, Flash Fiction Magazine, Bare Hands Issue 20, FishFood Magazine, Feminine Collective, and had a piece published in NEAT.

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Nicole Zwolinski earned a BA in Creative Writing with a focus in poetry and Mass Communications – Journalism. Zwolinski is always learning and continues to take courses through The Loft Literary Center in Minneapolis and in 2011 attended the Mississippi River Creative Writing Workshop at St. Cloud State University. Zwolinski’s favorite course at The Loft was Writing through Photographs with Brad Zellar. Zwolinski has had a few short short plays performed live. In addition to plays, Zwolinski has had numerous poems selected for live readings. Zwolinski’s work has appeared in Firewords Quarterly, Flash Fiction Magazine, Bare Hands Issue 20, FishFood Magazine, Feminine Collective, and had a piece published in NEAT.

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