Mature Vision

He looks my way as we sit in the chain salon
awaiting our haircuts, and I wonder if
“my way” is at me, since he repeats
the twists of neck—but my eyes cannot certify
since I keep them down on my phone

and remember a friend of adolescence
who would become incensed if he sensed—
or imagined—a male glance of any duration
upon him so prepared for battle against
the stranger with perceived evil eye

but that territory is far away now so I
chalk up this present male’s repeated
scans in my direction to a concern
far from me, unknown to me so continue
to monitor him only casually, peripherally

my hands never curling in adolescent
anticipation of an opportunity of displaying
my simian mettle upon a member of another
tribe who turns toward me typing on my haptic
screen, truculence only in a long-gone other eye

Photo by mostafa meraji on Unsplash

Written by 

I am an adjunct English professor at Chatham University and Duquesne University in Pittsburgh, and have published poems in such journals as Abbey, The Bangalore Review (IND), Commonweal, FreeXpresSion (AUS), Orbis (UK), Paperplates (CAN), Poetry Salzburg Review (AUT), Third Wednesday, Transom, and in the Pittsburgh Post-Gazette. In 2019, I published my first full-length collection, entitled Salient Points and Sharp Angles (WordTech Editions), and in 2021 I published another collection, When the Spirit Moves Me (Wipf & Stock), which consists of spiritually themed poems. In 2023, I published my third collection, Mother Mourning (Wipf & Stock), and in 2024, I published my fourth collection, entitled The Ramifications (Wipf & Stock), which consists of five long, experimental poems. In February of this year, I published my fifth collection, entitled Lovers’ Progress (Wipf & Stock) and have another collection forthcoming. All these collections are available on Amazon. My iPhone is my primary poetry notebook, and I hope my use of technology to craft this ancient art remains fruitful.

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