My Body is a Poem

I’m beautiful.
I say it under the dim bathroom light: I. Am. Beautiful.

I take solace in the light on my face. I take solace in the light on my skin, on the fat that creases and bulges. I hold my stomach in my hands, squish and squash my love handles. Rub my flank, along the length of ribs, down to the pelvis. The stretch marks are lines on paper; they’re crooked and scribbled on my skin. Each line and L, elongated.

I love my body. Sometimes I love it more, and sometimes I love it less. And in the past, I’ve doubted my temple. I’ve fed it horrible things like stress and butter and beer. I’ve hated it, slapped my stomach in front of the mirror, left red marks and scratches. I’ve made faces at my overweight self: pig-nosed wide mouthed. I’ve even cut my thighs, made new lines, new Llllllllls.

Not today.

I remember where I started: I am beautiful. I put the magazine down. I stop reading the lines about how to fit in my jeans better (or for that matter, how to fit in). I tell the page it doesn’t know me like I know me. I tell myself I’m not a model. I tell myself the models are not even models. They are made of wood held together by string.

I stand in front of the mirror. My skin is a white sheet of paper. My eyes are two buckets of brown dirt. I don’t cry anymore over my curves. I feed it apples, pears, and squash. I feed it squats and walks. I wash the sweat off from my workout in a warm, lavender-scented shower. The shower is a lake from a dream I had.

I don’t body-shame myself. I don’t let others body shame me either. I’m responsible for how I see myself in this world, in this long and wide world of hurtful words and scams of the heart. Go now.

This is not a body of hate. This body does not hate itself. There’s nothing here to consume, but love. Self-sabotage is a hand that does not hurt me anymore. My body sings me to sleep. My body is ground, gravel, twigs, and brambles.

My feet dangle from the bed. I examine the cracked skin, the dried patches on the tops of my toes. I see my legs, freckled and chubby, against the cat’s back. I rub my arms, the stretched skin, too.

I pull my messy hair back in a bun and sigh deep and slow. The room is quiet. The bathroom mirror is quiet. There is no sound—only my heart, gentle and warm, and it says, Thank you for loving me again. And my fingers rest on my chest. They can hear the sound of my heart.

I push myself off the bed and look in the long, wooden framed mirror.
All those spots.
All those scars and scabs.
All those dimples in the thigh.
It’s all a poem to me.

Originally published September 3, 2016

Photo Credit: Unfurled via Compfight cc

Loren Kleinman

Loren Kleinman’s poetry has appeared in journals such ADANNA, Drunken Boat, The Moth, Domestic Cherry, Blue Lake Review, Catch & Release (Columbia University), LEVURE LITTÉRAIRE, Nimrod, Wilderness House Literary Review, Narrative Northeast, Writer’s Bloc, Journal of New Jersey Poets, Paterson Literary Review (PLR), Resurgence (UK), HerCircleEzine and Aesthetica Annual. Her interviews appeared in IndieReader, USA Today, and The Huffington Post. She’s also published essays in Cosmopolitan, Good Housekeeping and Seventeen Magazine. She is the author of Flamenco Sketches and Indie Authors Naked, which was an Amazon Top 100 bestseller in Journalism in the UK and USA. Kleinman’s The Dark Cave Between My Ribs was named one the best poetry book of 2014 by Entropy Magazine. Her third collection of poetry Breakable Things released via Winter Goose Publishing in March 2015. Her first novel This Way to Forever just released via Evatopia Press.


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