Every Other Thursday

I we meet, and I dash across the room at his knock to open and feel the heat of his body engulf me like a blaze in my own galaxy. He runs his rough tongue over my salty skin all of its parts, sunburnt and scarred, and I crackle and burn, the shock runs through […]

About Elizabeth Kirkpatrick Vrenios

Elizabeth Kirkpatrick Vrenios’ poetry has appeared in Clementine, Silver Birch Press, Kentucky Review, Bethlehem Writers Roundtable and Silkworm, in forthcoming issues of Edison Literary Review, Crack the Spine, Poeming Pidgeon and Unsplendid. She co-wrote the book Party Line under the name Elizabeth Kirkpatrick. She has studied with Judith Harris, Gloria Boyer, Hailey Leithauser, Sue Ellen Thompson and Alexandra Van de Kamp. Elizabeth is a professor emerita from American University in Washington DC, having chaired the vocal and music departments. Vrenios’ solo recitals throughout the United States, South America, Scandinavia, Japan and Europe have been acclaimed, and as the artistic director of the Redwoods Opera Workshop in Mendocino, California, and the Crittenden Opera Workshop in Washington D.C. and Boston, she has influenced and trained students across the country. She is a member of the international Who’s Who of Musicians, and is the past National President of the National Opera Association.

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Frida,Black Dove

Burn this house, Burn it blue
Sad one, Sad one Sad One,
Guitar, seeking fire, like a hunger motor
sings of the broken body,
steel rivers humming:
The night sky burns with fire

About Elizabeth Kirkpatrick Vrenios

Elizabeth Kirkpatrick Vrenios’ poetry has appeared in Clementine, Silver Birch Press, Kentucky Review, Bethlehem Writers Roundtable and Silkworm, in forthcoming issues of Edison Literary Review, Crack the Spine, Poeming Pidgeon and Unsplendid. She co-wrote the book Party Line under the name Elizabeth Kirkpatrick. She has studied with Judith Harris, Gloria Boyer, Hailey Leithauser, Sue Ellen Thompson and Alexandra Van de Kamp. Elizabeth is a professor emerita from American University in Washington DC, having chaired the vocal and music departments. Vrenios’ solo recitals throughout the United States, South America, Scandinavia, Japan and Europe have been acclaimed, and as the artistic director of the Redwoods Opera Workshop in Mendocino, California, and the Crittenden Opera Workshop in Washington D.C. and Boston, she has influenced and trained students across the country. She is a member of the international Who’s Who of Musicians, and is the past National President of the National Opera Association.

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My Lover Does Not Deserve Black

I wear scarlet to his funeral, a beautiful floor-length affair with sleeves that flick the air like flames, a splash of red electricity. I swirl with the bagpipe’s skirls. Sounds hunchbacked and keening, drench the mourners crushed in black, mute and dark eyed. I am the solitary scarlet bell. My throat torn open, pours out […]

About Elizabeth Kirkpatrick Vrenios

Elizabeth Kirkpatrick Vrenios’ poetry has appeared in Clementine, Silver Birch Press, Kentucky Review, Bethlehem Writers Roundtable and Silkworm, in forthcoming issues of Edison Literary Review, Crack the Spine, Poeming Pidgeon and Unsplendid. She co-wrote the book Party Line under the name Elizabeth Kirkpatrick. She has studied with Judith Harris, Gloria Boyer, Hailey Leithauser, Sue Ellen Thompson and Alexandra Van de Kamp. Elizabeth is a professor emerita from American University in Washington DC, having chaired the vocal and music departments. Vrenios’ solo recitals throughout the United States, South America, Scandinavia, Japan and Europe have been acclaimed, and as the artistic director of the Redwoods Opera Workshop in Mendocino, California, and the Crittenden Opera Workshop in Washington D.C. and Boston, she has influenced and trained students across the country. She is a member of the international Who’s Who of Musicians, and is the past National President of the National Opera Association.

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